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Wrapping Oneself in Creative Prayer

2017 Jewish Arts Month Essay Contribution: “Identify and discuss how creating Judaic art defines, enhances and expresses your spirituality.” Wrapping Oneself in Creative Prayer Hiddur Mitzvah- literally the beautifying of a mitzvah is expressed so perfectly in a handmade prayer shawl- a tallit. I’ve been making them for over 20 years since my oldest became a Bar Mitzvah. It was my dream to make one for my four sons and other family members, so that there would be several rows filled with family wearing my handmade tallitot. Over the years I’ve taught dozens of women and one man to make them as well. It brings such joy to the maker and the receiver! It can enhance and elevate the spiritual experience of wearing a tallit during prayer when there are personal messages, music , meaning and memories infused into the fabric and design. My teacher and huck mentor, Ellen Temkin created the idea of a huck fabric tallit made with Swedish Weaving and designed a Torah and and a Star of David stitch I often use and experiment with. She also showed me how to do MUSIC on a tallit- that has opened many ideas for me! A young student of mine created her own tallit for her Bat Mitzvah and put the music for Hatikvah on her tallit. I made one with musical themes that included my grandfather’s Adon Olam on it. I recently made one for my daughter in law and put the first lines of Billy Joel’s song, “ She’s Got A Way” which was the first dance with my son at their wedding. I also just completed one for a family whose grandfather sang the song, “ Hey There Delilah” to his granddaughter, and that song is now on her Bat Mitzvzh tallit. Wearing a tallit with meaningful music on it truly envelopes you in song and spirit. You can feel the love from the moment, from the music and it surely becomes it’s own prayer. Another way to enhance spirituality in a handmade tallit is to add fabric from a deceased relative, or from childhood. I added small squares of a beloved baby blanket on two of my son’s tallitot for their Bar Mitzvah. When they hold the four corners together they are reminded of their childhood- it must be a sweet and nostalgic moment!  When my “new” rabbi arrived a few years ago I wanted to make him a tallit of course! I knew his mother has passed away recently and I asked if there was any meaningful fabric I could incorporate into the tallit. His father, ( also a rabbi) brought the jacket she wore to her son’s Bar Mitzvah! I was so moved to use this incredible fabric that represented a moment in his life that was transformative and memorable. I used the button holes on the inside four corners for the tzitzit to go through.  I then created a tallit bag using more of the fabric, and then made a baby quilt for his first son using scraps of the jacket, as well as a bookmark. There is still fabric left for future life cycle events- truly living out the wonderful children’s book and story, “ Something from Nothing”. Using fabric and music helps bring us closer to our authentic selves, our own history, and uplifts our prayer. Truly surrounded by a handmade tallit infused with meaning is a spiritual experience. It is an honor to help create these prayer shawls and share them with people I love. Cantor Deborah Katchko-Gray www.cantordebbie.com  

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2017 Jewish Arts Month Essay: “Identify and discuss how creating Judaic art defines, enhances and expresses your spirituality.”

By Flora Rosefsky Over the years, I often define myself as being a “spiritual” person, feeling the presence of God in my life, sensing the comfort of someone watching over me whom I can not see, like a parent to a child. Jewish traditions and rituals preformed each year, as well as written words from Torah, Mishnah commentaries, , prayers said in synagogue or at home all resonate as inspiration to take those concepts to express them into my personal visual art. Jewish traditions value memory, to remember those who personally influenced us while acknowledging historical events that impacted our life in other ways. Creating collage and mixed media art that uses ephemera (found paper) from my father-in-law Harry Rosefsky, of blessed memory, or using glossy family photographs become ways to show my own spirituality in a meaningful way. Even though at first some work may seem to be abstract, a hint of a narrative often appears. If one were to define spirituality as feeling a closeness to a higher power, or to God, perhaps each of my Judaic inspired works expresses that concept. Other artists, whether they are musicians, composers or visual artists may feel the same way, Even on a subconscious level, where there may not be a carefully laid out plan before composing a new work, like a dream, images come alive as colorful shapes take on their own spirituality, My “Ritual Series” of mixed media collage work is a good example of how I take personal experiences interacting with various Jewish festivals, holidays or rituals to use my own visual language with paper cutouts, Powerful feelings I have for the rich traditions expressed throughout the Jewish calendar year – like a special “road map” through time and space, come to the surface. Two themes that I continuously explore are those of Shabbat and welcoming the Sabbath Bride in the Kabbalist point of view, and the Festival of Sukkot, where there is a distinct spirituality manifested between humankind and God as we carry out the commandment in Torah to “dwell in the Sukkah for eight days”, appreciating a safe sanctuary when the world around us can be so chaotic. Putting these concepts into visual art strengthens my own spirituality,never tiring of finding more ways as an artist to express the relevant meanings of the words of Torah, written over 3,000 years ago

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HASBARAH  (P.R.) Where is it?

By Avrum Ashery, Visual Communications Advisor to the U.S. Congress- Retired Recently, A friend of mine mentioned that he was very impressed with an Israeli film he had just seen called “Beneath the Helmet which attempts to humanize the young IDF soldiers contrasting the slanted press the IDF and Israel have received from around the world. I asked him where he had seen the film?  and he responded…at the DC JCC- so there we are again… talking to the convinced- ourselves! This again begs the hasbarah question… where is it?  Where are the creative, impacting messages geared to the American public in the media about the many Israeli accomplishments in energy, medical advancements, new agricultural advancements for developing countries enabling them to feed their people, all the accomplishments that would impress most Americans, just by their own cultural orientation- achievement. In the Jewish community we are often talking about the bad wrap that Israel has received in the media, but I am now feeling that our Jewish community has yet to really understand what defines media outside of newspaper editorials and slanted TV news broadcasts.  The vital question is how do we create impacting media messages for American public consumption? I watch TV, listen to radio, notice outdoor billboards when on the road, read ads in newspapers and magazines, see poster ads on sides of buses, in subway stations and airports and I have yet to see any messages about Israeli accomplishments, no less short creative and impacting. This is how you reach and educate the American public. Today they still remain unenlightened about Israel and still given the slanted view by the TV news and biased newspaper editorials. Last spring I attended a lecture at Beth El Congregation in Bethesda where former Israeli Ambassador spoke before 500 attending. When asked about…Where is the Israeli hasbarah, as all the people nearby murmured,” yeah, there’s nothing out there!” he responded – “We don’t do that type of hasbarah, but depend on our American friends and their organizations to do it for us or with us.” I could see everyone’s mouth drop open-“WHAT?” Maybe I oversensitive to this because visual communications and media are my profession beyond Judaic art, but it’s very clear to most that there is a major need for all our Israel advocating organizations come together of one mind and create the needed P.R. that has yet to exist building a wonderful image of Israel not to American Jews again, but to the American public, using all possible media tools. The results will be gaining the needed American support in times of calm as opposed to us REACTING in times of crises, the typical Jewish limited media effort.

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JUDAIC ART: NEEDED TOOL FOR JEWISH CONTINUITY

By Avrum (Avy) Ashery Often I have heard from other artists about their work of art—-“it’s an expression of my feelings and one day it will hit you and maybe you will understand.” I come from a school of communications and was trained to create a visual, either in graphic design or in the fine arts that sends a message, sometimes strong with impact. For the past 40 years, I have attempted to accomplish just that, using my training, both in my secular and Jewish designs/illustrations. It has been my desire and goal to use my work in creating visual messages that inspire Jewish interest, pride and identity…today all problematic factors in the Jewish community. As a Jewish educator, my hobby for over 40 years, I have come to know and understand that there is now a big challenge to our Jewish future and at its core is our Jewish educational process. Understanding and appreciating such factors as our history, philosophy, traditions and values can be highly successful tools as we attempt to inspire our community- both young and not so young in promoting Jewish continuity as they grasp just how unique our Jewish way of life has been in civilization and human history. Often these Jewish life factors need inspiration both inside and outside the classroom. As a Jewish educator, I have observed just how effective Jewish music has been used as a tool of inspiration as we sing in Hebrew, Ladino and Yiddish. This has not been quite the case for Judaic art/craft outside of Judaic craft used ritually. Other aspects of the Judaic visual art has too often been seen with a crayon mentality by Jewish educators and leadership, yet rarely seen as a serious inspirational tool in Jewish learning. I wonderful educational tool for showcasing Jewish values and creativity is the JUDAIC ART GALLERY which could be an integral part of the learning process in a Jewish day school, or synagogue religious school, federation community facility, adult learning programs or Jewish Community Center, but such is not the case today. Judaic artists today are now starting to hear…”we no longer have a priority for Judaic art, but rather Jews creating any secular art or just secular art itself.” Or the Judaic art gallery that was …is no more!. When Judaic art is properly marketed and promoted to both Jewish and non-Jewish communities, it can be a fine extra revenue source as well as a good symbol of Jewish continuity when being given as a gift for the home. Having experienced this personally and observed this in too many Jewish communities with other Judaic artists, I have now taken to the road to reach out to the American Jewish community to educate, explain and guide them down a more constructive direction in establishing meaningful needed Judaic art galleries that will serve as important tools for Jewish education and inspire needed Jewish identity and continuity.

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THE MORIAH 11th Biennial All-Judaic Art & Jewelry Fair – Deerfield, Illinois February 2016: An event and experience of beauty for both artists and collectors!

Have you ever been to a circus? Well, I went to a wonderful one this past weekend. At Moriah Congregation, the 11th biennial All-Judaic Art & Jewelry Fair was held in Deerfield, Illinois from February 25-28 and it was kind of like a circus. As an active participant in making this event a success, and now as the current president of The American Guild of Judaic Art, I can reflect on the excitement and the sincere appreciation of Judaic art by Chicago area collectors who attended the Moriah show. Some AGJA members joined other talented contemporary Judaic artists to showcase their beautiful and meaningful work. The AGJA’s Online exhibition is another example of bringing more of this kind of art to a wider audience year-round. On Sunday morning on February 21st, Moriah volunteers and staff walked into a totally empty building that magically became transformed. All of the furniture had been removed from two major rooms in the building which became completely bare. A troop of men and women came in to measure out the booths and laid the tape. Next, rooms were wired for electricity, each booth had its own lighting and clip on lamps so that work displayed would be well lit. On Monday, all of the many grids went up in the various rooms and on Tuesday, tables, waste baskets, chairs, and most important of all, boxes of magnificent art went into the booths. Wednesday, the artists began arriving and opening the boxes and putting up the fabulous art which would be for sale beginning the following evening. Thursday, all of the artists arrived and finished their booths. The show began for our donors on Thursday evening, but before they arrived, those of us who had worked on the show took a moment to simply open the doors to the rooms and revel in the magnificence of the Judaic art and jewelry which surrounded us. It was like being in the most wonderful castle, surrounded by beautiful things, hannukiot; candlesticks, mezzuzot, challah coverings, challah boards, tzdakah boxes, a complete sukkah, wall hangings of various scenes in the Torah and in Israel, seder plates, matza plates, omer counters, dreidels, and every other ritual or thematic Jewish object one could imagine, in any medium one could imagine, all surrounded by the most beautiful jewelry which could be imagined. Then came the crowds. There were times when we literally couldn’t get down the aisles. And then it was over. The artists began taking down their masterpieces which weren’t sold and re-packing them to go to their next show at the 2nd Annual All-Judaic & Jewelry show held at the Hebrew Educational Alliance which began on March 3rd in Denver and continues through March 7. Taking down the show takes much less time. We are left with an empty room again, but with such fond memories of both the artists and their work. It was a glowing moment. The American Guild of Judaic Art was well represented at both shows and we are delighted to announce that we have two new AGJA members already and are hoping for many more. This year’s on-line exhibition was curated by Arthur Feldman of the Arthur Feldman Gallery of Judaica in Highland Park, Illinois. What I said above about the art which was shown at Moriah at the end of February is indicative of the magnificent art which was submitted by our members – many of whom were participants in the Moriah show. Thank you for participating the AGJA’s 2016 On-Line Exhibition and for being a member of the Guild. Should you ever have any questions about the Guild feel free to email us at office@jewishart.org or visit our website: www.jewishart.org Karen Walanka, AGJA President Arthur Feldman, 2016 AGJA On-Line Exhibit Juror

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Announcing the Winner of the 2016 AGJA Essay Contest

What area of Jewish Life, from Jewish tradition or from Jewish text, is most important to you to pass on to future generations with your works? Juror’s Statement by Lawrence Schloss. MA ‘English The question raised by the assigned essay topic affirms the positive point of view that art possesses the intrinsic quality and force to effect change; that Jewish artists can draw from Jewish tradition or text and create art for a variety of viewing audiences. The 3 essays I read are imbued with a sense of hope, sincerity, insight and knowledge relative to the importance of passing on to future generations integral elements of Judaism, each essay citing specific and concrete examples of how the writer’s art serves to fulfil this important function: One essay broaches the idea that the artist’s intention is to reveal, “The intrinsic beauty of our year round traditions.” The writer goes on to state that she hopes her, “children, grandchildren and those who viewed the works, would better understand how Judaism can bring joy into one’s life.” The essay is a beautiful expression of her desire to convey, “The message of appreciating the intrinsic beauty of Jewish concepts and traditions, which would bode well for future generations.” The essay concludes with the noteworthy desire that her art, “May be a spark to illuminate its (Judaism’s) significance and beauty.” How inspirational! A second essay proudly proclaims that, “Jewish artists are truly blessed….A long, rich cultural Jewish history spanning nearly the whole world…” The writer presents a brilliant explanation why she chooses to create Chassidic art as opposed to, say, art reflecting images from the Holocaust. Her description of Chassidic art, “a fading line between harsh reality and what the mind and soul need” is a manifestation of the writer’s profound sensitivity to history, art and Judaism. It concludes with the wonderful assertion that, “Art makes the world within visible…especially the Chassidic world.” The essay reflects a keen insight into art and Judaism; the tone and voice is quite remarkable! A third essay is a powerful, personal expression of the writer’s 40 year commitment to use, “my work in creating visual messages that inspire Jewish interest, pride and identity… today all problematic factors in the Jewish community.” He goes on to state that Jews face, “a big challenge to our Jewish future and at its core is our Jewish educational process.” The essay maintains a vibrant and consistent point of view, as clearly stated in the title: Judaic Art, Needed Tool of Jewish Continuity. It is a moving and brilliant plea for the increased role of Jewish education. I am moved by the writer’s obvious passion regarding art, education, and Judaism! As Juror, I am highly impressed by each of these fine essays: they are passionate expressions of the role of Judaic art relative to Judaism. Each essay possesses its own voice, tone, illustrations, and insight relating to the assigned topic. May I congratulate all three writers! The winner of the 2016 essay contest is Shoshannah Brombacher, Ph.D. Shoshannah’s Winning Essay: Jewish artists are truly blessed. A long, rich cultural Jewish history spanning nearly the whole world offers us a plethora of subjects to choose from. What we show the world depends on our tastes, preferences, experiences and backgrounds, where we are now, both spiritually and artistically. As a Western European Ashkenazy Jew who grew up in Holland, lived in Berlin and moved to New York, people often ask why I don’t make Holocaust art? Much of my work depicts the Eastern European Chassidic world before it vanished in the Holocaust. I discovered Chassidic stories in my father’s study in Holland. They are about human nature, aspirations, adversaries and adversities —about never giving up. They embody the supernatural, magic, a fading line between harsh reality and what the mind and soul need and crave. Chassidic stories speak to the heart and soul! This is the kind of Jewish heritage I want to pass on to others, like a torch. Like Beethoven’s music, Chassidic stories are alive and inspiring, no matter what time or country we live in. You will often see an antique shabbat lamp hanging in my drawings, a so-called Judenstern. Its oil-lights fan out like a star to all sides, bathing the room in the peaceful glow of Shabbat. Outside, wolves howl in the cold darkness; inside, there is an island of peace and serenity. A little light can disperse a lot of darkness. That is what I want to pass on to future generations – our heritage, our pride. We are still here and very much alive! My artist statement is based on a story about the Kotzker Rebbe, who had no Chassidic background. One day, he heard a story-teller in the street talk about the Besht. Despite his ideas about those “buba-mayses,” (simple children’s stories), he stopped, listened, became a follower of the Baal Shem, a famous Chassidic Master. I am not a Rebbe. I am an artist. But I understand how he felt. That’s why with my brushes I light the lamp to bathe my canvas and my world in a golden glow… “Art makes the world within visible. My art is a tribute to music and to our heritage, especially the Chassidic world. The Kotzker Rebbe listened to a story-teller in the street and stated: ‘He told what he wanted and I heard what I needed’. That is art.” Shoshannah Brombacher, Ph.D., Maggidah Brooklyn NY

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Beyond Bagels and Matzah ball Soup – Support for our Jewish Culture and its creative arts – Part 3

SECTION 3 OF 3 We will need to take a deep breath and start teaching our Jewish leadership- Lay, Rabbinical Educational and organizational to take a new more serious look at what we do as it surely a basic ingredient for Jewish continuity, Identity and pride…. and they all need as much help as possible! I know this coming from a rabbinical and educational family first hand. We as Jewish creators will need to roll up our sleeves even higher than in the past to start generating new life and appreciation for all that we have done and continue to do for hidur mitzvah not only for philosophical, spiritual reasons, but for very pragmatic reasons as well… such as generating extra needed revenue when marketed properly to all the community beyond their own membership. A quality Judaic art gallery can be an excellent extra teaching tool for their religious/day school teachers. A well marketed quality Judaic art gallery can enhance the profile and stature of the institution in the community, not with the exhibits, but when the guest artist lectures and presents workshops that can be covered by local cultural arts newspaper editors. Question: Do you think starting early before the holidays or using “Jewish Arts Month” would be a good time to start educating ? This would include synagogues, federations, JCCs, Jewish day schools and Jewish organizations. Avrum (Avy) Ashery 301-279-0648, Rockville, Maryland, Asherydesign@verizon.net Website: asherydesign.info

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Support for our Jewish Culture and its creative arts – Part 2

Beyond Bagels and Matzah ball Soup – Support for our Jewish Culture and its creative arts  Section 2 0f 3 parts So how do we turn this direction around to help us and our American Jewish community stimulate interest, appreciation and even love what the creative Judaic artist does to enhance and beautify the many aspects of Jewish living? All those who have experienced this present state of Jewish cultural arts frustrations need to roll up our smock sleeves and start down the road of being shlichim, emissaries, teachers, promoters, speakers wherever possible within our Jewish community institutions. We need to connect to our synagogues who don’t have Judaic art galleries (not permanent art displays that never change), to Jewish day schools who also don’t have Judaic art galleries, Jewish organizational facilities as in Federations, Hadassah, B’nai Brith, university Hillel facilities that can not only serve the need to display the latest in quality Judaic art/craft but also serve as extra needed educational tools to their Jewish studies teachers, a fine source to generate extra needed revenue  and an opportunity to invite the many Judaic creators to be guest speakers on their lecture series besides  authors and political personalities.  There will be a need to encourage our many Jewish educators to use our Judaic art as serious academic tools for learning in the same mind set as the work on Gemarah, Talmud and Jewish history. Often the Judaic arts is overlooked as an academic teaching tool in many Jewish educational institutions, except for using crayons and coloring paper. I have found that Judaic art can be very effective teaching tools to our non-Jewish friends and churches in cultivating understanding and respect, again rarely used by our leadership. In my community alone- The Washington, DC metro area (The District, Virginia and Maryland), where we have 94 congregations, 5 Jewish day schools, 3 JCCs and a few national Jewish organization facilities, I count 3 JCC art galleries with no priority for Judaic themes, 2 large congregations that do have wonderful exhibit space but don’t care to use the space for Judaic art exhibits and  one large congregation  near me who had a Judaic art gallery 6 years ago after I showed them how to set one up.  Recently,  a congregational leader called me after hearing one of my lectures on this topic, He asked me to help him convince his fine arts committee to return back to Judaic art exhibits from the secular shows they have been showing the last 4 years. He felt a known Judaic artist would convince them sooner than he, a physicist, could do. This conversation continues. Question:  Would you be will to be part of this educational outreach movement in your own community? I would think it needs to start with Jewish leadership…Rabbinical, cantorial, educational and lay to open some doors and stimulate and educational change. Avy Ashery, Rockville, Md.    301-279-0648,   Ashery design@verizon.net

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