According to our tradition, G-d created the world with Ten Words. These are the ten times G-d spoke, as described in the first chapter of the Torah, and as a result the world got created, expanded, improved with new features and creatures, embellished and refined. And at the end of each of the six days of creation “G-d saw that it was good”. On the seventh day weshabat mikol melakhto asher bara El-him la’asot, and He rested from all the work which Elohim had created to make. The grammatical construction with la’asot, to make, suggests future work, but in the same verse G-d had ceased from creating, weshabbat. Several midrashim have commented on this, explaining that from now on, after the seventh day, mankind will be G-d’s partner in creation, continuing what He started. For instance, G-d created grain, but not bread. We, mortal humans, just have seeds of grain. In order to get bread we must transform the seeds, and go through a lengthy process of preparing a field, plowing, sowing the seeds, praying for rain, tending the grain, harvesting, winnowing, grinding, and, finally, baking bread from flour and putting it on our tables. We acknowledge G-d by saying a blessing before we eat it. G-d does not let challot grow ready to eat. We humans must go through the creative trouble to make these challot for Shabbat, in order to celebrate the day G-d stopped working. And what, if we would not want to be partners in creation? Then we would live like animals, eating raw seeds or whatever is ready to pick and eat in nature, like berries and fruit. No challah. What can we learn form this as Jewish artists? Mankind, male and female, is created in G-d’s image. Humans are the only species on earth endowed with creative power to transform materials to create something totally new, unique. We can make new and meaningful art, for instance, from raw pigments, a piece of marble, a basket of wool, ink, copper ore, etc., there are endless possibilities. But being created in G’d’s image, and on top of that being G-d’s partner, also obligates us to emulate His divine qualities, to make sure that at the end of the day we see “that it is good.” Like HaShem, we, Jewish artists, have to create by transforming, to expand, improve, embellish and refine the world with our art. That is why we have gotten this special talent to make art, to hold up a candle for the world. A little bit of light chases away a lot of darkness. With our art, images, objects, or in whatever mode or form we express ourselves, we make the world a better place. We make it a bit more divine. Mutatis mutandis, a little bit of beauty can chase away a lot of ugliness, it can uplift our souls and bring us and others closer to the divine image we are created in. Not only our own souls, but of all those who use and contemplate our art. Fellow artists, go out and make the world a better place! It’s in your head and hands! Shoshannah Brombacher, January 2018
2017 Jewish Arts Month Essay Contribution: “Identify and discuss how creating Judaic art defines, enhances and expresses your spirituality.” Art & Spirituality As a papercutter, ketubah artist and Hebrew calligrapher, I have always been drawn, no pun intended, to Judaic art. There is something innately magical about Hebrew letters, and when I put pen to paper and form those letters I connect to something ancient and powerful, adding my creative voice to a long line of scribes, rabbis and teachers that stretches back thousands of years. In my work, I strive to give contemporary meaning to ancient Jewish texts and hopefully, offer a new perspective on old teachings. Most of my Judaic work takes the form of visual midrash, a visual commentary on a specific idea or text in two or three dimensions, and in that sense, creating it is a spiritual act. Grappling with text that has served for centuries as history, mythology, legal precedent and tradition is an honor and a challenge. It brings out my creativity, reminds me of my roots, and ties me to my tradition and people in a way that few things can. Just as Jewish music fills my soul, creating Jewish art fills my need for making art with meaning. I have long been guided by the words of Felix Mendelssohn who once wrote, “Art can rise above mere handicraft only by being devoted to the expression of a lofty thought.” In that vein, I strive to make my work meaningful, something not only visually pleasing but beyond the merely aesthetic, something a viewer can look at multiple times and perhaps, find something new each time. As a ketubah artist, I have the honor and privilege to work with couples who are embarking on a new chapter in their lives. I work together with them to create a document that symbolizes and sums up the couple’s hopes and dreams for their relationship and the home and marriage they will ultimately build together. It is a humbling experience, and a challenging one. The skills necessary to create a custom ketubah are very similar to ones used in marriage counseling: learning to listen to each others’ preferences and needs, exploring each other’s hopes, dreams and goals for the future, and clarifying priorities in the marriage. I like to tell couples that if they can agree on a ketubah text that both encapsulates their priorities and is visually agreeable to each of them, then they are half-way towards a successful marriage. The conversation that develops is an exercise in listening and compromise, and engaging in this creative endeavor can be a transformative experience. I count myself lucky to be part of the beginning of their spiritual journeys, and in a way, it is a spiritual experience for me as well. Just recently, I celebrated the 25th anniversary of my business, Cutting Edge Creations. My hope is that, in my endeavor to create cutting edge creations, I will ultimately bring a little more beauty and meaning to the world of Judaic art in particular, and to the greater community in general. To my fellow artists, may we all go from strength to strength! Have a good and meaningful Pesach. Lisa Rauchwerger Cutting Edge Creations www.lisarauchwerger.com
2017 Jewish Arts Month Essay Contribution: “Identify and discuss how creating Judaic art defines, enhances and expresses your spirituality.” Wrapping Oneself in Creative Prayer Hiddur Mitzvah- literally the beautifying of a mitzvah is expressed so perfectly in a handmade prayer shawl- a tallit. I’ve been making them for over 20 years since my oldest became a Bar Mitzvah. It was my dream to make one for my four sons and other family members, so that there would be several rows filled with family wearing my handmade tallitot. Over the years I’ve taught dozens of women and one man to make them as well. It brings such joy to the maker and the receiver! It can enhance and elevate the spiritual experience of wearing a tallit during prayer when there are personal messages, music , meaning and memories infused into the fabric and design. My teacher and huck mentor, Ellen Temkin created the idea of a huck fabric tallit made with Swedish Weaving and designed a Torah and and a Star of David stitch I often use and experiment with. She also showed me how to do MUSIC on a tallit- that has opened many ideas for me! A young student of mine created her own tallit for her Bat Mitzvah and put the music for Hatikvah on her tallit. I made one with musical themes that included my grandfather’s Adon Olam on it. I recently made one for my daughter in law and put the first lines of Billy Joel’s song, “ She’s Got A Way” which was the first dance with my son at their wedding. I also just completed one for a family whose grandfather sang the song, “ Hey There Delilah” to his granddaughter, and that song is now on her Bat Mitzvzh tallit. Wearing a tallit with meaningful music on it truly envelopes you in song and spirit. You can feel the love from the moment, from the music and it surely becomes it’s own prayer. Another way to enhance spirituality in a handmade tallit is to add fabric from a deceased relative, or from childhood. I added small squares of a beloved baby blanket on two of my son’s tallitot for their Bar Mitzvah. When they hold the four corners together they are reminded of their childhood- it must be a sweet and nostalgic moment! When my “new” rabbi arrived a few years ago I wanted to make him a tallit of course! I knew his mother has passed away recently and I asked if there was any meaningful fabric I could incorporate into the tallit. His father, ( also a rabbi) brought the jacket she wore to her son’s Bar Mitzvah! I was so moved to use this incredible fabric that represented a moment in his life that was transformative and memorable. I used the button holes on the inside four corners for the tzitzit to go through. I then created a tallit bag using more of the fabric, and then made a baby quilt for his first son using scraps of the jacket, as well as a bookmark. There is still fabric left for future life cycle events- truly living out the wonderful children’s book and story, “ Something from Nothing”. Using fabric and music helps bring us closer to our authentic selves, our own history, and uplifts our prayer. Truly surrounded by a handmade tallit infused with meaning is a spiritual experience. It is an honor to help create these prayer shawls and share them with people I love. Cantor Deborah Katchko-Gray www.cantordebbie.com
By Flora Rosefsky Over the years, I often define myself as being a “spiritual” person, feeling the presence of God in my life, sensing the comfort of someone watching over me whom I can not see, like a parent to a child. Jewish traditions and rituals preformed each year, as well as written words from Torah, Mishnah commentaries, , prayers said in synagogue or at home all resonate as inspiration to take those concepts to express them into my personal visual art. Jewish traditions value memory, to remember those who personally influenced us while acknowledging historical events that impacted our life in other ways. Creating collage and mixed media art that uses ephemera (found paper) from my father-in-law Harry Rosefsky, of blessed memory, or using glossy family photographs become ways to show my own spirituality in a meaningful way. Even though at first some work may seem to be abstract, a hint of a narrative often appears. If one were to define spirituality as feeling a closeness to a higher power, or to God, perhaps each of my Judaic inspired works expresses that concept. Other artists, whether they are musicians, composers or visual artists may feel the same way, Even on a subconscious level, where there may not be a carefully laid out plan before composing a new work, like a dream, images come alive as colorful shapes take on their own spirituality, My “Ritual Series” of mixed media collage work is a good example of how I take personal experiences interacting with various Jewish festivals, holidays or rituals to use my own visual language with paper cutouts, Powerful feelings I have for the rich traditions expressed throughout the Jewish calendar year – like a special “road map” through time and space, come to the surface. Two themes that I continuously explore are those of Shabbat and welcoming the Sabbath Bride in the Kabbalist point of view, and the Festival of Sukkot, where there is a distinct spirituality manifested between humankind and God as we carry out the commandment in Torah to “dwell in the Sukkah for eight days”, appreciating a safe sanctuary when the world around us can be so chaotic. Putting these concepts into visual art strengthens my own spirituality,never tiring of finding more ways as an artist to express the relevant meanings of the words of Torah, written over 3,000 years ago
By Avrum Ashery, Visual Communications Advisor to the U.S. Congress- Retired Recently, A friend of mine mentioned that he was very impressed with an Israeli film he had just seen called “Beneath the Helmet which attempts to humanize the young IDF soldiers contrasting the slanted press the IDF and Israel have received from around the world. I asked him where he had seen the film? and he responded…at the DC JCC- so there we are again… talking to the convinced- ourselves! This again begs the hasbarah question… where is it? Where are the creative, impacting messages geared to the American public in the media about the many Israeli accomplishments in energy, medical advancements, new agricultural advancements for developing countries enabling them to feed their people, all the accomplishments that would impress most Americans, just by their own cultural orientation- achievement. In the Jewish community we are often talking about the bad wrap that Israel has received in the media, but I am now feeling that our Jewish community has yet to really understand what defines media outside of newspaper editorials and slanted TV news broadcasts. The vital question is how do we create impacting media messages for American public consumption? I watch TV, listen to radio, notice outdoor billboards when on the road, read ads in newspapers and magazines, see poster ads on sides of buses, in subway stations and airports and I have yet to see any messages about Israeli accomplishments, no less short creative and impacting. This is how you reach and educate the American public. Today they still remain unenlightened about Israel and still given the slanted view by the TV news and biased newspaper editorials. Last spring I attended a lecture at Beth El Congregation in Bethesda where former Israeli Ambassador spoke before 500 attending. When asked about…Where is the Israeli hasbarah, as all the people nearby murmured,” yeah, there’s nothing out there!” he responded – “We don’t do that type of hasbarah, but depend on our American friends and their organizations to do it for us or with us.” I could see everyone’s mouth drop open-“WHAT?” Maybe I oversensitive to this because visual communications and media are my profession beyond Judaic art, but it’s very clear to most that there is a major need for all our Israel advocating organizations come together of one mind and create the needed P.R. that has yet to exist building a wonderful image of Israel not to American Jews again, but to the American public, using all possible media tools. The results will be gaining the needed American support in times of calm as opposed to us REACTING in times of crises, the typical Jewish limited media effort.
By Avrum (Avy) Ashery Often I have heard from other artists about their work of art—-“it’s an expression of my feelings and one day it will hit you and maybe you will understand.” I come from a school of communications and was trained to create a visual, either in graphic design or in the fine arts that sends a message, sometimes strong with impact. For the past 40 years, I have attempted to accomplish just that, using my training, both in my secular and Jewish designs/illustrations. It has been my desire and goal to use my work in creating visual messages that inspire Jewish interest, pride and identity…today all problematic factors in the Jewish community. As a Jewish educator, my hobby for over 40 years, I have come to know and understand that there is now a big challenge to our Jewish future and at its core is our Jewish educational process. Understanding and appreciating such factors as our history, philosophy, traditions and values can be highly successful tools as we attempt to inspire our community- both young and not so young in promoting Jewish continuity as they grasp just how unique our Jewish way of life has been in civilization and human history. Often these Jewish life factors need inspiration both inside and outside the classroom. As a Jewish educator, I have observed just how effective Jewish music has been used as a tool of inspiration as we sing in Hebrew, Ladino and Yiddish. This has not been quite the case for Judaic art/craft outside of Judaic craft used ritually. Other aspects of the Judaic visual art has too often been seen with a crayon mentality by Jewish educators and leadership, yet rarely seen as a serious inspirational tool in Jewish learning. I wonderful educational tool for showcasing Jewish values and creativity is the JUDAIC ART GALLERY which could be an integral part of the learning process in a Jewish day school, or synagogue religious school, federation community facility, adult learning programs or Jewish Community Center, but such is not the case today. Judaic artists today are now starting to hear…”we no longer have a priority for Judaic art, but rather Jews creating any secular art or just secular art itself.” Or the Judaic art gallery that was …is no more!. When Judaic art is properly marketed and promoted to both Jewish and non-Jewish communities, it can be a fine extra revenue source as well as a good symbol of Jewish continuity when being given as a gift for the home. Having experienced this personally and observed this in too many Jewish communities with other Judaic artists, I have now taken to the road to reach out to the American Jewish community to educate, explain and guide them down a more constructive direction in establishing meaningful needed Judaic art galleries that will serve as important tools for Jewish education and inspire needed Jewish identity and continuity.
Have you ever been to a circus? Well, I went to a wonderful one this past weekend. At Moriah Congregation, the 11th biennial All-Judaic Art & Jewelry Fair was held in Deerfield, Illinois from February 25-28 and it was kind of like a circus. As an active participant in making this event a success, and now as the current president of The American Guild of Judaic Art, I can reflect on the excitement and the sincere appreciation of Judaic art by Chicago area collectors who attended the Moriah show. Some AGJA members joined other talented contemporary Judaic artists to showcase their beautiful and meaningful work. The AGJA’s Online exhibition is another example of bringing more of this kind of art to a wider audience year-round. On Sunday morning on February 21st, Moriah volunteers and staff walked into a totally empty building that magically became transformed. All of the furniture had been removed from two major rooms in the building which became completely bare. A troop of men and women came in to measure out the booths and laid the tape. Next, rooms were wired for electricity, each booth had its own lighting and clip on lamps so that work displayed would be well lit. On Monday, all of the many grids went up in the various rooms and on Tuesday, tables, waste baskets, chairs, and most important of all, boxes of magnificent art went into the booths. Wednesday, the artists began arriving and opening the boxes and putting up the fabulous art which would be for sale beginning the following evening. Thursday, all of the artists arrived and finished their booths. The show began for our donors on Thursday evening, but before they arrived, those of us who had worked on the show took a moment to simply open the doors to the rooms and revel in the magnificence of the Judaic art and jewelry which surrounded us. It was like being in the most wonderful castle, surrounded by beautiful things, hannukiot; candlesticks, mezzuzot, challah coverings, challah boards, tzdakah boxes, a complete sukkah, wall hangings of various scenes in the Torah and in Israel, seder plates, matza plates, omer counters, dreidels, and every other ritual or thematic Jewish object one could imagine, in any medium one could imagine, all surrounded by the most beautiful jewelry which could be imagined. Then came the crowds. There were times when we literally couldn’t get down the aisles. And then it was over. The artists began taking down their masterpieces which weren’t sold and re-packing them to go to their next show at the 2nd Annual All-Judaic & Jewelry show held at the Hebrew Educational Alliance which began on March 3rd in Denver and continues through March 7. Taking down the show takes much less time. We are left with an empty room again, but with such fond memories of both the artists and their work. It was a glowing moment. The American Guild of Judaic Art was well represented at both shows and we are delighted to announce that we have two new AGJA members already and are hoping for many more. This year’s on-line exhibition was curated by Arthur Feldman of the Arthur Feldman Gallery of Judaica in Highland Park, Illinois. What I said above about the art which was shown at Moriah at the end of February is indicative of the magnificent art which was submitted by our members – many of whom were participants in the Moriah show. Thank you for participating the AGJA’s 2016 On-Line Exhibition and for being a member of the Guild. Should you ever have any questions about the Guild feel free to email us at firstname.lastname@example.org or visit our website: www.jewishart.org Karen Walanka, AGJA President Arthur Feldman, 2016 AGJA On-Line Exhibit Juror
What area of Jewish Life, from Jewish tradition or from Jewish text, is most important to you to pass on to future generations with your works? Juror’s Statement by Lawrence Schloss. MA ‘English The question raised by the assigned essay topic affirms the positive point of view that art possesses the intrinsic quality and force to effect change; that Jewish artists can draw from Jewish tradition or text and create art for a variety of viewing audiences. The 3 essays I read are imbued with a sense of hope, sincerity, insight and knowledge relative to the importance of passing on to future generations integral elements of Judaism, each essay citing specific and concrete examples of how the writer’s art serves to fulfil this important function: One essay broaches the idea that the artist’s intention is to reveal, “The intrinsic beauty of our year round traditions.” The writer goes on to state that she hopes her, “children, grandchildren and those who viewed the works, would better understand how Judaism can bring joy into one’s life.” The essay is a beautiful expression of her desire to convey, “The message of appreciating the intrinsic beauty of Jewish concepts and traditions, which would bode well for future generations.” The essay concludes with the noteworthy desire that her art, “May be a spark to illuminate its (Judaism’s) significance and beauty.” How inspirational! A second essay proudly proclaims that, “Jewish artists are truly blessed….A long, rich cultural Jewish history spanning nearly the whole world…” The writer presents a brilliant explanation why she chooses to create Chassidic art as opposed to, say, art reflecting images from the Holocaust. Her description of Chassidic art, “a fading line between harsh reality and what the mind and soul need” is a manifestation of the writer’s profound sensitivity to history, art and Judaism. It concludes with the wonderful assertion that, “Art makes the world within visible…especially the Chassidic world.” The essay reflects a keen insight into art and Judaism; the tone and voice is quite remarkable! A third essay is a powerful, personal expression of the writer’s 40 year commitment to use, “my work in creating visual messages that inspire Jewish interest, pride and identity… today all problematic factors in the Jewish community.” He goes on to state that Jews face, “a big challenge to our Jewish future and at its core is our Jewish educational process.” The essay maintains a vibrant and consistent point of view, as clearly stated in the title: Judaic Art, Needed Tool of Jewish Continuity. It is a moving and brilliant plea for the increased role of Jewish education. I am moved by the writer’s obvious passion regarding art, education, and Judaism! As Juror, I am highly impressed by each of these fine essays: they are passionate expressions of the role of Judaic art relative to Judaism. Each essay possesses its own voice, tone, illustrations, and insight relating to the assigned topic. May I congratulate all three writers! The winner of the 2016 essay contest is Shoshannah Brombacher, Ph.D. Shoshannah’s Winning Essay: Jewish artists are truly blessed. A long, rich cultural Jewish history spanning nearly the whole world offers us a plethora of subjects to choose from. What we show the world depends on our tastes, preferences, experiences and backgrounds, where we are now, both spiritually and artistically. As a Western European Ashkenazy Jew who grew up in Holland, lived in Berlin and moved to New York, people often ask why I don’t make Holocaust art? Much of my work depicts the Eastern European Chassidic world before it vanished in the Holocaust. I discovered Chassidic stories in my father’s study in Holland. They are about human nature, aspirations, adversaries and adversities —about never giving up. They embody the supernatural, magic, a fading line between harsh reality and what the mind and soul need and crave. Chassidic stories speak to the heart and soul! This is the kind of Jewish heritage I want to pass on to others, like a torch. Like Beethoven’s music, Chassidic stories are alive and inspiring, no matter what time or country we live in. You will often see an antique shabbat lamp hanging in my drawings, a so-called Judenstern. Its oil-lights fan out like a star to all sides, bathing the room in the peaceful glow of Shabbat. Outside, wolves howl in the cold darkness; inside, there is an island of peace and serenity. A little light can disperse a lot of darkness. That is what I want to pass on to future generations – our heritage, our pride. We are still here and very much alive! My artist statement is based on a story about the Kotzker Rebbe, who had no Chassidic background. One day, he heard a story-teller in the street talk about the Besht. Despite his ideas about those “buba-mayses,” (simple children’s stories), he stopped, listened, became a follower of the Baal Shem, a famous Chassidic Master. I am not a Rebbe. I am an artist. But I understand how he felt. That’s why with my brushes I light the lamp to bathe my canvas and my world in a golden glow… “Art makes the world within visible. My art is a tribute to music and to our heritage, especially the Chassidic world. The Kotzker Rebbe listened to a story-teller in the street and stated: ‘He told what he wanted and I heard what I needed’. That is art.” Shoshannah Brombacher, Ph.D., Maggidah Brooklyn NY